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"Robert " wrote:you mean I´ve given power of attorney to someone who´s disappeared ?
YEs yes
"Robert " wrote:damn, I wish girl was here as I´ve given her power of attorney.I don’t think we’ll be hearing from her much anymore
"Robert " wrote:I am not ? this is disturbing news.Toe Knee now is
"Robert " wrote:stop making things up and answer my question in the other thread.you’re not the boss of me
"Robert " wrote:remixed, modernized = new versions of them ? if so, performed by who ?It’s the old tracks just remixed, and cleaned up. The Beatles producer made it,
you should really give it a listen to
It begins with a twittering of birdsong lifted from "Across the Universe." And once the triple-tracked a capella harmonies of "Because" enter, followed by snatches from "A Hard Day’s Night" and "The End," leading into a fired-up "Get Back," it becomes obvious that this is far more than just another Beatles compilation. This is Love, conceived by the Fabs’ former producer George Martin and son Giles as a stageshow soundtrack to Cirque de Soleil’s Las Vegas spectacular of the same name, but appears to have taken on a life of its own. Whereas the Beatles’ last release, 1, delivered the (over?) familiar hits in a nice, simple package, Love is a mélange of the familiar and obscure, all literally mixed together in one 78-minute audio collage which succeeds in reminding the listener just why the Beatles truly are, as Lennon put it, "toppermost of the poppermost." There’s no new Beatles material per se, but the songs are all approached differently–some are cut together in a flawlessly mixed medley (check out "Being for the Benefit of Mr. Kite!/I Want You/Helter Skelter"), some reassemble different backing tracks and vocal performances to create new spins on old classics; but all the songs are revitalized considerably. Even in its weakest moments (which probably work better in the context of the show itself), Love is still a formidable prospect, and one has to admire Martin’s willingness to go out on a limb with such a project. While purists may complain that the cut ‘n’ paste nature of the project is simply tampering with perfection, at the very least it’ll make them reach for the originals and enjoy them all over again. For newcomers and everyone else, it makes a fine listen, both in its sonic clarity (the actual tracks are the best they’ve sounded on CD) and audacious nature. –Thom Allott
"Robert " wrote:what exactly is that ? or, what kind of collection is it ? a new best of, or ?It’s like a remixed, modernized, Beatles songs for some show in Vegas
"Robert " wrote:no way, we´re talking about a guy who´s such an environmentalist that he´s used the force to turn himself green, there´s not a chance in the world that you could label him a bully.No when the kids decided to fight back against the bully they dyed him green, so all future kids would know he was a bully
"Robert " wrote:yes, we´re similar that way, yoda and I. And you know he´s allways got your back when those nasty bullies comes a´knocking.Yoda is the bully
The Beatles – Love
"Robert " wrote:he was the strangest looking of all the avatars I could choose from when I registered here back when we were still getting used to writing 2000 instead of 19something. + he´s got some great skills. Yeah, it sounds like he´s been through a stroke or two, combined with a nasty hernia.Yoda also likes pudding
"girl " wrote:I do, don’t I?I want my birthday wish to come true, make it happen, make it happen pleasE!
"girl " wrote:That means you’re guzzling too many slurpees…or not enough.more then more
"girl " wrote:I hope Rich’s birthday wish comes true.I want it to come true too, so much so
"deepsIush " wrote:That’s a good idea. There’s a direct link between slurpee guzzling and frost of the privates.My urethra burns
"girl " wrote:Hold on a minute Rembrandt… If this means the end of animated smoking girls and J’s falling off cliffs, then I say NO, No, Toe-Knee, don’t do it.You do have a point there girl
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