[FlyingCloud]

Tom & Small Floating Baby, thanks a lot for the reviews <img>
It’s cool how J reacts on requests. I’ve never heard before that he played ‘Little Ethnic Song’ in one of his more recent tours!
And great that he played a song, you’ve yelled for, Small Floating Baby <img>

[FlyingCloud]

hey radical_ruckus, welcome here & thanks for your brief comment on the Cincinnati show! <img>
It’s true, J shows use to have their own kind of magic/ surrealism <img>

[FlyingCloud]

Although most of us might have the new album now, I just wanted to add, that there are sound samples of all "Free so Free" tracks on this site:

CD universe <img>

[FlyingCloud]

hey dB, thanks for brightening up those questions <img>
seems, they touched spheres I’m not familiar with <img>

<small>[ 10-19-2002, 06:31 PM: Message edited by: Flying Cloud ]</small>

[FlyingCloud]

DeepRest, "Fallschirmspringen" is about the same as skydiving, I suppose <img>

hey dB, you can say you to me <img>

To assist further insights into the above reviews, I decided to polish the translations a bit <img>

*****After he had seen him solo on stage, Klaus Fiehe ( <img> ) said about J Mascis that he appeared illuminated to him. The crucial points with the term illuminating seemed to be the quantity of nearly perceptible life experience and an aura of tranquility. Both are to find likewise on his third post Dinosaur Jr. album "Fee so Free". The title and most Songs have to do directly or indirectly with experiences from his new hobby, skydiving.

With this mixture the old master of the Grunge has good chances to become one of the old men of the Rock’n’Roll. The allround musician offers finely arranged rock songs, which point more and more in the direction "modern Singer Songwriter". The main parts are acoustic guitars, decent glamour-sounds and the familiar melancholische singing. Of course one can detect his heroes, because of the mood of the songs ar because of the one or other expansive guitar solo – in this connection Iggy Pop and Neil Young should be mentioned. A beautiful way through the decades. *****

*****There are not a few artists, who try to draw on their membership in a band of the more or less glorious past. Not many artists, however, succeed in maintaining or increasing the former level over years. J.Mascis is like that, a weird dinosaur of Indie rock from the time before there were Nirvana. From the time, when such gems weren’t easily delivered into the living room via music television, Internet or magazines. One had to look out for them and often found fulfillment in consideration.

Now his new album "Free so Free" as J.Mascis + The Fog knocks suddenly on the door and one is almost surprised about the nearly happy and euphoric sounding opener "Freedom"
Now, what could have happened? That sounds almost as if J. is feeling well. Too well, actually, as one cherishes the beautifully melancholic lament. But J.’s joy and his new passion – skydiving – are also noticeable in his joy of making music. Freedom is the overall topic of this record and it sounds exactly like that. Not in the sense of freedom in large musical experiments, but the freedom to record without pressure, without being forced to prove anything, to be able to write simply catchy indie tunes without being afraid of free falling.

After listening to it repeatedly, the work continues to grow, leading almost into a kind of addiction. This record rotates here again and again in the Player and colours the author’s gambling soul with "FIFA World Cup" [soccer world cup, I suppose, but I don’t really know about these things, or what the author is pointing at… FC <img> ] with his merry sounds (unbelievable that this term fits with some of the songs!), which have melancholic dephts, too, however, because of J’s intonation and particularly in songs like the title song and thus don’t undergo the risk of sounding too much like pop music or too commercially.

This man simply understands his handicraft and after seventythree thousand years in the business he can also still unwrap 10 song beads out of the parachute, which are simply worth to land smoothly all over the world and to please not only the well-established fans.
After he managed, that (according to the press info) Miss April of the American Playboy lists Dinosaur Jr. under the label classic rock as one of her favourite bands, this mission will surely be no more problem. *****

<img>

<small>[ 10-19-2002, 02:48 PM: Message edited by: Flying Cloud ]</small>

[FlyingCloud]

So. here’s the fine Gaesteliste Article/interview in a rough translation <img>
I somehow didn’t feel comfortable, though, with translating J’s words back from German, because the probability is high, that I chose different words/expressions than those which J said originally… but anyway: <img>

---

Freedom like I mean it
[the German headline "Freiheit, die ich meine" is the title of a well-known German kitsch song <img> ]

J Mascis is not considered to be a comfortable interlocutor. Some might still remember the "interview" for the MTV show "120 Minutes" in the mid 90’s, where the former Wonder Stuff singer Miles Hunt (who mutated to a MTV presenter), nearly despaired about J – at that time still frontman of Dinosaur Jr – because Hunt couldn’t get any answers from J in an approximately 10 Minutes dicussion except of "yes" and "no".

When J was now recently in Cologne, in order to explain the local journalists his second post Dino album "Free so Free", he had actually been supposed to sit besides "Gaesteliste.de" at 11.00 o’clock in the morning. Around 11.15 o’clock he then finally entered the lobby of the Cristall hotel – obviously three and a half minutes after he woke up. At least his hairstyle – unchanged within living memory – was even more indefinable as always, and his face was hidden by oversized sun glasses of a kind which is forbidden since the early 70’s.

J seemed little interested in profane things like interviews, nevertheless he hummed by himself the whole time some – probably new – songs and played air drums even while he poured the coffee! It often might not look like it – but J is always at work!

"Free so Free" is the second solo album of the somewhat self-willed, in the meantime 36 years old American, nevertheless is it in certain respects the new start, which some had already expected with the predecessor "More Light".

Although J might see that somewhat differently, Mascis seems to present himself on "Free so Free" musically more reserved, with the acoustic gem "If That’s How It’s Gotta be" and the ballad "Someone Said" that reminds of My Bloody Valentine.

Some may perhaps think that the balance of song and sound changed in the meantime for J, but he negated that vehemently. The Songs for themselves were actually always more importantly, even if it may have sounded sometimes perhaps differently, says J.

On the new album there are also typical songs like the great current single "Everybody Lets Me down" and interesting outliers like the obviously Glamrock inspired bubblegum rock song "Bobbin’ ". "That simply happened", J repels the question about latter song and adds laughing: "it wasn’t anyhow like I had a large T.Rex phase or so."

The term "free(dom)" emerges on the new album not only in the title, but also in a multiplicity of song lyrics – perhaps, because he wrote them during the practice of his newest Hobby (skydiving)?

To talk about a new songwriting approach or a concept album would be wrong, however. "I can’t actually recognize a real connection between the songs except the lyric references", says J in his typical creaking voice, that always sounds a bit like if he wouldn’t open his mouth when speaking. "The only thing which I made differently this time, is that I didn’t cut down the lyrics in such a way, like I did frequently in the past. I would have cut several ‘freedoms’ out of the lyrics in the past, this time I simply kept them." Nevertheless there have been several changes in J’s Songwriting during the last 15 years. "I can still remember that the songs on the first Dino album had many more parts. At that time I probably felt more unsure with writing songs, therefore I never only stayed with one idea, but I crammed many different parts into a song. That is probably the largest difference to today."

Anyhow, the same feeling of freedom that is inside of many of the lyrics, will also be significant for the upcoming tour (which will lead the man from Massachusetts for a handful of shows to Germany at the beginning of November) – probably it will be a pure solo tour for the first time.

However, not only because one-man concerts mean more liberty, like J explains us: "naturally it is easier, to be on tour alone, but above all it is cheaper. In order to be completely honest, on the last (band-) tour I did not only make no profit, I lost money. That was a pretty hard stroke for me, because I would have never thought that that would happen. I never even thought about this possibility, because that never happened to me in the past. The solo tour is thus also a reaction to that. In Europe I will probably play alone, but as for the tour in the States I don’t know exactly at the moment."

For the tour J will have old songs in the baggage, too, of course, however record and shows are primarily for his own amuesement, as J admits frankly. He also revealed however, that he listens also on his audience from time to time. "In the past I was accused of playing too few ‘hits’. It always depends on the situation. If there are requests from the audience, I play those frequently. However, I would never play ‘Feel The Pain’ or ‘Start Choppin’."

Does that mean that J has the feeling that something is missing sound-technically in his solo shows? "no, but naturally it is more arduous to play alone. It is kind of a big challenge for me, but many people like it, because it is not so loud and people can understand the lyrics and so on. And it is so uncomplicated to travel alone that it simply makes sense. You can also do many other things alongside, because you do not have to play a show each day, only to break even."

It seems to be a questionable situation when a legend like J has to think about how to tour without paying in addition, particularly, if one considers that his status as Indierock God wasn’t affected through the years.

In the meantime whole Songs were written about J or there are other musical tributes to him. Mary Lou Lord for example wrote a "J Mascis Song" (later renamed in "Western Union Desperate") and borrowed the final line" when to I need a friend it’s still you" from the Dino classic "Freakscene". "When I hear such things, it seems to be weird in the first place. Mary Lou Lord, She co-operated with Bevis Frond, that’s very interesting, because he is someone, whom I discovered for myself right this year. My favourite albums are ‘North Circular’ and ‘Internal Marshland’. The latter record I found quite inspiring."

Bevis Frond is a good keyword, because their Mastermind Nick Saloman has a preference for genuine solo works on which he often plays all instruments alone, similarly to J .

Does J have actually sometimes the need to ask other people for advice when he works completely alone on an album? "sometimes I ask some other people about their opinion. On this record the guys of Cobra Verde participate on a few songs and to other songs they said something, too. Naturally, it is never really predictable whether other people will like the new Songs or not. For the new record there was a song intended for example, which my girlfriend didn’t like. Thus I left it out."

Thereby a very compact record came out, which ties at J’s glorious past, but opens many perspectives for the future, too. It’s exactly the record which one may expect from an expert such as Mascis.

more Info:
http://www.freakscene.net <img>

<small>[ 10-19-2002, 11:40 AM: Message edited by: Flying Cloud ]</small>

[FlyingCloud]

so, the shorter one first: Gästeliste album review <img>

That’s what Frank Black said recently: From a certain point on it isn’t any longer the concern of a musician to invent something or to change things, but on the contrary, to entertain himself – that’s the premise to entertain others, too. And that’s what J Mascis does on his new record: Indeed he does exactly the same things he always did, where he is good at, and what is fun for him. To that extent this record sounds exactly the same as all other J-Mascis-records of the last years. That means, anyone who loved his records in the past, will love the characteristic features of his music on this record, too, as there are: His characteristic style of guitar playing [sorry, can’t translate "Gitarrengegniedel"; FC], his bone dry drum sound, his laconic style of singing, his charming inability to write really fast songs (even with full throttle he doesn’t seem to move forward).

The others won’t give a damn: People like Black and Mascis might have experienced, that they can’t reach a new audience with their kind of music. But as it has been said: That’s not their motivation, but therefore, to entertain themselves and others. And that’s the excellent effort of the dear Joseph on this CD. He always wrote good songs, by the way, even without inventing anything.

[FlyingCloud]

hi daxt0r, welcome <img>

I hope you’ll have lots of fun here, although your start turned into a bit of a chaos <img> <img> <img>
It’s not at all usual & peoples’ opinions are appreciated throughout here…

[FlyingCloud]

hey, a live review <img> thanks, Sarsa

now, that hurts to miss a J show <img> , sorry to hear that! I hope, you can make it to another show in the near future!

[FlyingCloud]

Thanks a lot for the review & setlist, Tom <img>

I like ‘If that’s how it’s gotta be’ very much, and the live version together with the Cobra Verde guys must be wonderful <img>

Have a lot of fun on the other shows (wow, I’m jealous <img> !)

[FlyingCloud]

Hey strue1, welcome and thank you very much for the review <img>

It’s always cool to read what other fans see and feel at J’s live shows. … and it somehow shortens the time until I can see him live again myself <img>

And thanks for the story about how you became a Dino fan. I got into Dino around the same time, when I heard ‘Let it ride’ on the radio …

[FlyingCloud]

really cool <img> thanks a lot, dB!
I promise to translate tomorrow.

(one thing in advance: On the bottom of the Article/Interview, there’s a link called " -> In die Hitliste ".
If you click on it, you vote for J’s new album in the charts they have… <img> )

<small>[ 10-18-2002, 05:48 PM: Message edited by: Flying Cloud ]</small>

[FlyingCloud]

hey, thanks a lot, DeepRest <img> <img> <img> not bad, really

Just tell me if the translations need some furter explantions, or, say, a second run… <img> (but, hell, don’t ask who "Klaus Fiehe" is…)

[FlyingCloud]

wow <img> I like that site very much, DeepRest <img>
thanks for posting that link

I hope to read some reviews/ impressions/ retrospections or anything else about the upcoming shows, and I hope there will be some Cleveland stuff, too <img>

<small>[ 10-17-2002, 04:22 PM: Message edited by: Flying Cloud ]</small>

[FlyingCloud]

now, that’s the source of the ‘skydiving’ fairy tale? <img> <img> <img>
But isn’t it nicely invented?

</font><blockquote><font>quote:</font><hr><font> "Bob was going to summer camp while I was touring. When I went to pick him up I found out that his favorite part of the vacation had been doing this skydiving workshop in Orange [Massachusetts]. They had a special Pet and Owner Skydiving Weekend not long after that. We both went, and it was real solid." </font><hr></blockquote><font><img>

[Author]

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