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I have the same experience. My wife keeps an open mind about things I’m into, at leasts she’s trying, but often when I listen to Dinosaur Jr and J blasts into a really loud and noisy and beautiful part… she asks me to lower the volume
But Please Remember That I’m Here she really likes and even asks me to put on for her. I’m still hoping that it could work as in introduction to the more sonic stuff but I’m not too sure… She does like some Dino tunes like Forget the Swan and most of You’re Living All Over Me but still has a big problem with the noisefest parts – the outros of most tracks on YLAOM for instance :-"Rich " wrote:would any of my foreign friends be willing to ship me some
I just got some of the Czhec absinth but I heard its not the real deal.I guess that comes down to how "real deal" is defined. Besides personal preferences as for taste, aniseed dominance, herb deposits etc, the important parameter should be the thujon (the active substance in wormwood) content. Absinths with up to 35 mg/kg are readily available here in Czech Republic as well as many other European countries – they can be legally sold if declared as "bitter spirit". Products with higher concentrations can of course be obtained as well…
For sure some Czech "absinths" are shit – cheap vodka with neon green dye.
Well at least in Swedish, "fÃ¥ tummen ur arslet" (get the thumb out of one’s ass) means that it’s time to go the fuck ahead and do something, rather than planning it, thinking or talking about it. Time for action. "FÃ¥ arslet ur vagnen" (get one’s ass outta the wagon) means the exact same thing.
"Toni Vestman " wrote:The Dinosaur release is fun, think it’s the only one where I have to use the skip function to miss a song, like cats in a bowl. Most of them are top notch, esp Severed Lips, quest, repulsion and Leper.Cats in a bowl is wonderful and weird just like the rest of the album.
Blake Babies’ version of Severed Lips was actually one of the first Dino songs I ever heard. Took me some time to get used to the original version once I got my hands on the first Dino album some time later.
"mabewa " wrote:Yeah, Lou is clearly credited with Lose and Poledo. And, I’ve read in several places that J wrote all of the songs on Bug, even Lose, which, as the remaster liner-notes say "J, perversely, had Lou sing."And, actually, I’ve noticed that my remaster of the debut album says "all songs J Mascis." I just wondered if that hadn’t been a misprint because of the Lou vocals and the very diverse styles of the songs… if it’s all J., he had a lot more eclectic songwriting style in the beginning. The liner notes of "You’re Living All Over Me" refers to "Lose" and "Poledo" as "Barlow’s songwriting swansongs," which to me kind of implies that something preceded them. If "Lose" and "Poledo" were all Lou ever wrote for Dinosaur, then I guess they were his songwriting debuts AND swansongs!
I guess you mean "J wrote all of the songs on Bug, even Don’t,…"
Anyway, without knowing anything for sure, my guess would be that Lou contributed a great deal to the songwriting on the debut album, although probably none of the songs were all "his".
"RSTguitars " wrote:I posted an mp3 of it on freesofree.nethttp://www.freesofree.net/bbs/viewtopic.php?t=675
Please don’t beat me up too badly!
Hey it’s quite refreshing to hear it sung with a completely different kind of voice.. I like it
"deepsludge " wrote:Johann Wolfgang von Goethe’ final words were more light. Wanting another shutter opened to the morning sun, the author of Faust called to a servant for "More light!" Then his finger traced a word on the air, he shifted in his chair, and he fell asleep, dying at some moment well before anyone realized…..Interesting… you think J had Goethe in mind?
